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・ The Royal Conservatory of Music
・ The Royal Court
・ The Royal Dental Hospital of Melbourne
・ The Royal Diaries
・ The Royal Docks Community School
・ The Royal Dublin Golf Club
・ The Royal Family (album)
・ The Royal Family (novel)
・ The Rough Guide to Native American Music
・ The Rough Guide to Psychedelic Africa
・ The Rough Guide to Reggae
・ The Rough Guide to Salsa (1997 album)
・ The Rough Guide to Scottish Music (1996 album)
・ The Rough Guide to Tango (1999 album)
・ The Rough Guide to the Music of Afghanistan
The Rough Guide to the Music of Brazil (1998 album)
・ The Rough Guide to the Music of Canada
・ The Rough Guide to the Music of Central America
・ The Rough Guide to the Music of Cuba (1998 album)
・ The Rough Guide to the Music of Eastern Europe
・ The Rough Guide to the Music of Ethiopia
・ The Rough Guide to the Music of Ethiopia (2004 album)
・ The Rough Guide to the Music of Ethiopia (2012 album)
・ The Rough Guide to the Music of India and Pakistan
・ The Rough Guide to the Music of Indonesia
・ The Rough Guide to the Music of Japan (1999 album)
・ The Rough Guide to the Music of Kenya and Tanzania
・ The Rough Guide to the Music of Morocco
・ The Rough Guide to the Music of Morocco (2004 album)
・ The Rough Guide to the Music of Morocco (2012 album)


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The Rough Guide to the Music of Brazil (1998 album) : ウィキペディア英語版
The Rough Guide to the Music of Brazil (1998 album)

''The Rough Guide to the Music of Brazil'' is a world music compilation album originally released in 1998. Part of the World Music Network Rough Guides series,〔 〕 the album spotlights the music of Brazil, with tracks representing genres from across the country.〔 Phil Stanton, co-founder of the World Music Network, produced the album.〔(【引用サイトリンク】 About Us - The WMN Story )〕 This was the first of two similarly named albums: the second edition was released in 2007.
==Critical reception==

The album received mixed reviews. Writing for AllMusic, Alex Henderson named it one of the most ambitious collections of its type.〔 What Henderson called "variety", Michaelangelo Matos of the Chicago Reader called "inconsistency". According to Matos, the album displayed "a wider stylistic range than any other I've heard", even amongst the Rough Guide releases.〔 〕

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